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Here the two-and-one-half-story house with slightly off-center chimney has four bays, but in a house of nearly five-bay length, this time the window in the fourth odd bay is slid out nearly (but not quite) to the position of the outermost bay at the opposite end of the house. Window capping at the ground floor is quite elegant. Once more the familiar pilastered entrance, with broken-pedimented door and fanlight, reappears. This one is ornamented with a simple interlace of pointed arches in wood—an outrider of the impending Gothic Revival by way of such “Gothic” furniture motifs such as those popularized by Chippendale.