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Dallas Museum of Art

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1984, Edward Larrabee Barnes, with Pratt, Box and Henderson; Dan Kiley, landscape architect; 1993 addition, Edward Larrabee Barnes with Thomas and Booziotis. 1717 N. Harwood St.

Barnes’s serene modernism of solid cubic blocks and walled courtyards established a strong precedent for quality architecture in the Arts District, one that has been upheld since its founding. A long interior, north-to-south promenade orders galleries and services to each side. Perpendicular to the center of the promenade, a tall barrel-vaulted entrance pavilion faces the axis of Flora Street like a monumental arch, a visual anchor that has remained effective over the years. To the south of the gallery blocks, tall walls enclose a series of sculpture gardens by Dan Kiley. A north addition (Hamon Building) of 1993 provided a new north entrance, which is being further enhanced (2016, Studio Outside and David Hocker) with public services and improved access to Kyle Warren Park to the north.

Writing Credits

Author: 
Gerald Moorhead et al.
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Citation

Gerald Moorhead et al., "Dallas Museum of Art", SAH Archipedia, eds. Gabrielle Esperdy and Karen Kingsley, Charlottesville: UVaP, 2012—, http://sah-archipedia.org/buildings/TX-02-DS33.

Print Source

Buildings of Texas

Buildings of Texas: East, North Central, Panhandle and South Plains, and West, Gerald Moorhead and contributors. Charlottesville: University of Virginia Press, 2019, 155-155.

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