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Whereas the Frye House collision (preceding entry) was happenstantial, this takes advantage of happenstance as a joining of two small old houses (both somewhat altered) to make one big new one. It is mayhap interesting less for what it says about colonial architecture than the appeal it makes to the late-twentieth-century postmodernist taste for off-balance compositions derived from colonial precedent. A gabled house flanking the street butts a gabled house facing the street, with five windows, each in different arrangements and in slightly different sizes and alignments. The more commanding facade with the projecting cornice and the bigger door (with its own echoing cornice) signals “parlor”; the smaller, more