
Built for Morris Sternberg, a Savannah jeweler, Eichberg’s elaborate and eclectic Queen Anne interpretation of the Savannah elevated double house shows what could be done to modernize and monumentalize the building type at the end of the nineteenth century; see 10 W. Jones Street (1857, attributed to John S. Norris) by way of comparison. His most creative touch was in adapting the scrolling forms of a Flemish gable to the symmetrical exterior staircases. The front porch was modified in 1920, and the carriage houses behind the house date to 1847.