
The most modernist of period post offices, the tall, one-story, flat-roofed structure is subtly asymmetrical, six bays on the front and seven on the side formed by square white stucco columns and a flush lintel. Glazed grids fill the bays, making the composition look like an airy pavilion. Inside is a pair of stone figural reliefs, West Texas (1948), by Houston sculptor William McVey.