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Grey Gables (Sheldon Boright House)

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Sheldon Boright House
1892, M. W. Dodge, builder. 122 River St., Richford village
  • (Photograph by Curtis B. Johnson, C. B. Johnson Photography)

The Boright House remains one of the showiest, best-preserved, and most evocative examples of Eastlake/Queen Anne domestic architecture in Vermont. With nineteen rooms on three floors, it is also the grandest house in Richford, a testament to the success of its Canadian-born entrepreneur patron, and to the prosperity brought to this border community by water-powered industry following the extension of the Missisquoi Valley Railroad from St. Albans and the South Eastern Railway from Quebec. The house takes its common name from its array of prominent steep gables that radiate orthogonally and diagonally from a central two-stage tower with belvedere, exploiting the kind of picturesque complexity facilitated by balloon framing. Its plan, massing, and distinctive enveloping veranda and porte-cochere with turned posts that sprout profiled and spindled stickwork bracing are based closely on the cover design of Palliser's American Cottage Homes (1878), which illustrates George Palliser's house (demolished) in Bridgeport, Connecticut. Richford builder M. W. Dodge expanded the rear service wing, simplified the Stick Style wall framing, and introduced his own array of window shapes and surrounds, stained glass, elaborately framed fireplaces, and spindled valances. He also used regional materials (granite foundations, red and gray slate) and Richford products (turned and scroll-sawn millwork and cast-iron crestings) to give local roots to this import.

Writing Credits

Glenn M. Andres and Curtis B. Johnson


What's Nearby


Glenn M. Andres and Curtis B. Johnson, "Grey Gables (Sheldon Boright House)", [Richford, Vermont], SAH Archipedia, eds. Gabrielle Esperdy and Karen Kingsley, Charlottesville: UVaP, 2012—,

Print Source

Cover: Buildings of Vermont

Buildings of Vermont, Glenn M. Andres and Curtis B. Johnson. Charlottesville: University of Virginia Press, 2013, 199-200.

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