You are here

Grace Church

-A A +A
1845–1860, Richard Upjohn. 1912, remodeling and parish house addition, Cram, Goodhue and Ferguson. 1950, addition enlarged, Albert Harkness. 175 Mathewson St. (at Westminster St.)

Grace Church, which dominated a prestigious residential community when built, interrupts these architectural mementos of Providence's onetime shopping scene. With a tower off one corner, it is one of the country's earliest asymmetrical Gothic Revival churches (some have risked calling it the first). This was the first of several ecclesiastical commissions Richard Upjohn carried out in Rhode Island. As modified and expanded by the later chancel extension and parish house, the complex combines two predominant approaches to the Gothic in the nineteenth and early twentieth centuries: the doctrinal English parish Gothic of Upjohn and the more urbane Collegiate Gothic, a self-consciously aesthetic English Perpendicular, of Cram, Goodhue and Ferguson. Inside, Upjohn used an exposed timber roof construction to support a gable roof over the nave, with side aisles vaulted in plaster. Upjohn was an ardent Episcopalian himself and the most prominent architect member of the American offshoot of the British Ecclesiological Society, which called for a return to medieval forms as those of the “true” church. His Grace Church, with its long nave, side aisles, lack of balcony, and “dim religious light” from stained glass, opposes such luminous preaching boxes of the eighteenth and early nineteenth centuries as the First Baptist Church and the First Unitarian Church ( PR56, PR92). A diverse and impressive collection of stained glass from the nineteenth and twentieth centuries fills the windows, including a Tiffany window (on the left, third from the entrance) and several by Reynolds, Francis and Rohnstock. The fifth window in the same wall, removed to this location when the chancel was deepened in 1911–1912, incorporates medallions from the original chancel window.

As often in Cram's revisions of earlier medieval revivalist efforts, his chancel alteration makes little attempt to blend with Upjohn's work. In its refinement of archaeological detail, it seems rather to rebuke what came before, as did William Aldrich with his later redesign of the choir and pulpit area of Beneficent Congregational Church. Medieval churches offer much precedent for this sort of one-upsmanship; but frequently, as here, it is the earlier work that holds most visitors' attention.

Writing Credits

Author: 
William H. Jordy et al.
×

Data

What's Nearby

Citation

William H. Jordy et al., "Grace Church", [Providence, Rhode Island], SAH Archipedia, eds. Gabrielle Esperdy and Karen Kingsley, Charlottesville: UVaP, 2012—, http://sah-archipedia.org/buildings/RI-01-PR32.

Print Source

Buildings of Rhode Island, William H. Jordy, with Ronald J. Onorato and William McKenzie Woodward. New York: Oxford University Press, 2004, 53-53.

If SAH Archipedia has been useful to you, please consider supporting it.

SAH Archipedia tells the story of the United States through its buildings, landscapes, and cities. This freely available resource empowers the public with authoritative knowledge that deepens their understanding and appreciation of the built environment. But the Society of Architectural Historians, which created SAH Archipedia with University of Virginia Press, needs your support to maintain the high-caliber research, writing, photography, cartography, editing, design, and programming that make SAH Archipedia a trusted online resource available to all who value the history of place, heritage tourism, and learning.

, ,